Mom’s Hat, Annie’s Hat

September 11th, 2011 § Leave a Comment

Yet another lovely pattern from Kristina McGowan’s book, Modern Top-Down Knitting. I made this Annie’s Hat for my mom for her Birthday. She picked it out at Christmas after she gifted me the book, and also picked out a color that she liked. I had intended to get it done for Mother’s Day, but with finals and New York, it just wasn’t meant to be.

This pattern actually proved more challenging that I thought it would, which was actually quite delightful as I learned a lot. I had followed Kristina’s tutorial on how to crochet elastic into a garment for my Feather Dress—pattern from the same, beautiful book—and while this hat utilizes the same technique, pipe-cleaner/wire is substituted for the elastic, helping to form a nice rigid, shape-able brim. This creates a very sturdy edge, eliminating the elasticity in the knitting. The first use of the pipe-cleaners fit one of my knitting needle sizes perfectly, while the second was between my 29″ and 36″ needles, thus requiring me to use 12 DPNs to fit all of the way around the brim. Very, very different from anything I have done before!

My other notes and modifications:

  • While I purchased 4 hanks of Tahki Yarns Cotton Classic (in Purple, #3947) I use just under 2 hanks, so I have 2 left over.
  • My gauge was just shy/short of the specified in the pattern, and so I made a “Large” and ended up with a “Medium” which is the finished size that I wanted.
  • I used an embellished Bias Tape on the brim, and a velvet ribbon at the base of the cap, before the brim increases, but as my supplies were so well color matched, I opted to leave the trim off of the two crochet-stabilization sections. I felt that adding more ribbon would have made the hat look busy given the contrast of the purples.
  • In each of the two crochet-stabilization section, I only completed two-thirds of the specified rounds, as I felt the rigidity of the brim was enough to support the weight and keep the shape.

I really loved this project, and I would certainly do it again!


Scarf Inspired by Reese Witherspoon’s in Water for Elephants by Sara Gruen

April 11th, 2011 § Leave a Comment

A few years ago I read Sara Gruen’s novel, Water for Elephants. I had the hard copy sitting in my bookcase for years, but never seemed to get around to it. After donating it to my local library, a (now) former co-worker gave me her paperback copy because she thought I would enjoy it. After reading it, I felt quite lame for previously not giving it the time of day, and today it remains as one of my favorite novels.

I recently heard that they’ve made it into a movie, which is proof that I don’t live under a rock. I generally am not the biggest fan of books in movie format, though, I must say, the Harry Potter series has really changed my opinion on this. With Harry Potter hopes in my mind, I am really looking forward to the movie version of Water for Elephants.

All that being said, upon watching the trailers, I have noticed Reese Witherspoon’s amazing costumes throughout.There was one little goodie which caught my eye, and seemed to me to embody the spirit of the book, the movie, the beautiful and soft whimsicality, and the textures and passions of the circus and the characters: the scarf Reese is wearing when she’s with the Elephant in the stall.

I have only seen the trailer, and the moment where she is wearing the scarf is quite fleeting, and well, small. I understand that my version is a departure from hers, as mine is plaid, and hers is single stripes, but I think that the same whimsical colors and flowy spirit remain the same.

So now, after making one for me, I am also selling it on ETSY.com.

The item for sale is a scarf that is inspired by Water for Elephants, made out of Japanese Import 100% Cotton, Double-Gauze. The fabric itself is very lightweight and drapes beautifully. The double-gauze includes the pattern on both sides of the scarf, so there is no back side. There is a single hem stitch around the entirety of one side of the scarf.

Size:
64.5″ long, double sided
6.25″ wide

Interested? Here is the ETSY.com link.

A Simple Hat.

December 13th, 2010 § 4 Comments

As I have recently made a number of hats for the Holidays, I have come across a big problem. I have used a number of different patterns, but I have yet to find a good pattern, for a masculine hat that is sophisticated in its simplicity. So, I have made my own pattern.

I am sure that this pattern is similar to a number of others out there, but I did create it all on my own, based on what I wanted.

The way that Ramon likes to wear hats, he likes to be able to take the ribbed section and flip it up, or down depending on the temperature. This hat is made to be long enough to almost cover the ear with the ribbing folded up, and made to be very low on the neck, ear, and mostly likely over the eye-brows when the ribbing is flipped down.

Yarns:

I chose to work with this specific yarn because it is very soft, and wonderful to knit with. I have realized that the softer the yarn, the more comfortable on the neck and forehead over long durations of time. Knit with the US size 7 needles, the tightness of the stitches provides generous enough elasticity and a lot of warmth in addition to the softness.

Color A:
Blue Sky Alpacas, Worsted Cotton, 613 Ink (Black), 1 Hank 150 yards, and this project used almost the entire hank.

Color B:
Blue Sky Alpacas, Worsted Cotton, 614 Drift (White), 1 Hank, 150 yards, used probably about 1/4 of a hank.

Gauge:
4.5 sts per inch on size 7 needles
OR 18 sts and 26 rows equals 4″ x 4″

Needles:
US size 6, 20″ or 24″ circular needles, for ribbing
US size 7, 20″ or 24″ circular needles, for the cap

Large Hat, 24″ in Diameter

Ribbing:

Row 1: With Size 6 circular needle, Using Color A, CO 96 sts using continental method, pm,

Row 2: On the next round, Join sides, being careful not to twist stitches.Work in k2 p2 rib, in the round

Row 3-20: Continue working in k2 p2 rib, in the round. Piece should measure 3.25″

Striping:

Row 21: Switch to Size 7 circular needle, working in stockinette stitch, k12, m1, repeat to end of round [104 sts]

Row 22–23: Knit even.

Row 24-25: Add in Color B, be sure to carry up the opposite color at the marker whilst. Knit even

Row 26–28: Switch back to color A, and knit even. (3 rows)

Row 29–37: Switch back to color B, and knit even (8 rows)

Row 38–40: Switch back to color A, and knit even. (3 rows)

Row 41–42: Switch back to color B, and knit even (2 rows). You are now finished with Color B and no longer need to carry it up. Cut the yarn, leaving at least 4″ to weave back into secure.

Row 43–55: Using color A knit 12 more rows even. Piece should measure 8″ from CO edge.

Cap Decreasing:

Row 56: K11, k2tog, repeat to end of round

Row 57: K10, k2tog, repeat to end of round

Row 58: K9, k2tog, repeat to end of round

Row 59: K8, k2tog, repeat to end of round

Row 60: K7, k2tog, repeat to end of round

Row 61: K6, k2tog, repeat to end of round

Row 62: K5, k2tog, repeat to end of round

Row 63: K4, k2tog, repeat to end of round

Row 64: K3, k2tog, repeat to end of round

Row 65: K2, k2tog, repeat to end of round

Row 66: K1, k2tog, repeat to end of round

Row 67: K2tog until you have only four stitches remaining. Pull 4 stitches carefully to inside of hat, and using a crochet hook, weave tail of yarn through the stitches, securing.

When I get a moment, I’ll create the same pattern for smaller sized hats, as I know this one is on the larger side.

If you find any errors I would love to know!

Enjoy!

©2010 Julie Grantz. All Rights Reserved.
Please respect copyright law and Do Not Reproduce in any form. Duplication & distribution of this pattern in any form without express permission of the author is a violation of copyright law: You may not make multiple copies of this pattern, reformat it for commercial use or resale, or sell items made from this pattern. Your respect for coypright law allows me to keep bringing you new and interesting designs. Write with feedback or errata at: projecthallway AT gmail DOT com

Threaducation. Day 97.

December 4th, 2010 § 1 Comment

I’ve spent the last two nights at Eddie’s Quilting Bee taking an introductory class for my Bernina. I missed the first class, because I was an idiot, and didn’t bring all of the required supplies, ie. my Bernina. Overly adopting the personality of my hair color in stereotypical fashion leads to much embarrassment and feeling like, well, an idiot. So, I rolled over to the next class, and I am really glad that I went.

The first night was spent going over threads and needles, how they work and why they are different. Before the class I didn’t really think that there could be that much different between the tools, and, to be honest, I didn’t really even realize that thread came in different gauges. Sure, some of it felt thicker, and some thinner, but, it’s thread, right?

Thoroughly and well explained I now understand why you use a “jeans” needle on woven fibers, and a ball-point on knit fibers, and what the different numbers mean in regards to the fiber your working with.

First of all, the sizing gives both the US and EU sizing of the needle, and The larger the number the bigger the needle.

For Woven fabrics- ones that make a noise when pulled taught quickly

Shmetz Jeans Needle – Blue Tips

A “Jeans” needle is missleading, as it is for woven fabrics, not just denim. In fact, most “Jeans” needles you would not want to use on denim, as they don’t have the girth for the fabric.  The number lable for the needle, i.e. 80/12, 100/16 not only refers to the size of the needle, but the higher the number the more open the weave of the fabric. So, for denim, canvas or linen, which you can clearly see the weave of the fabric, and because of the thickness/density of the fabric you’d want to select a larger needle, like a 100/16 or a 110/18. For general cotton, depending on thread count, you’d be safer in the range of an 80/12.

Shmetz Quilting and Topstitch – Green Tips for the quilting, The topstitch needles have no color on the flat shank.

Both of these are intended to go through several layers of fabric, and will require a thicker thread. The size of the topstitch needle is 100/16 and is intended for specifically that. While the needle is thicker, as indicated by the larger number (100/16), it also has a larger groove or scarf for the thread to be protected by as it goes through all of those layers of fabric.

Shmetz Microtext Needle - Top flat shank is purple

These are very sharp for woven fabrics, and are intended for very high thread count fabrics such as silk, satin,and  taffeta. The sizes of these needles are 60/8, 70/10, 80/12

Shmetz Embroidery Needle - Flat shank is red

Intended for embroidery thread only. Embroidery thread is super thin allowing you to get more thread in one area. Often, you will use an embroidery thread through you needle and a thread of equal weight, but less expensive in your bobbin, as it appears on the underside of your piece.

Shmetz Metallic Needle - No color on the flat shank

Intended for use with metallic thread only, and it is specially designed to help protect the weakness of the metallic thread / work with, not against the flaws of metallic thread that allow it to break more easily.

Shmetz Leather Needle - No color on the flat shank

Used with leather, vinyl, or plastic. It has a coating, like Teflon to keep it from sticking. However, if a leather needle isn’t doing the trick on your leather you can get a titanium needle!

You’d also want to use one of these for sequins … gosh, would have been great to know that before.

Much more info, of course, on the Shmetz site.


For Knit and Stretch fabrics – ones that don’t make a noise when pulled taught quickly.

A needle that is too sharp will distort the fabric, as it will pierce holes in the fabric, causing it to deteriorate. Thus, a needle with a ball-point is used to “move” the fibers, instead of piercing through them.

Shmetz Stretch Needle – Yellow flat shank

Used on a more open weave knit, lower thread count.

Shmetz Ball Point Jersey

Used on a higher thread count, more closed weave knit

Universal Needles are neither really sharp nor ball-point round … they are in the middle, and can be used with woven and knit fabrics together, or on something like linen, with really big structure. They are the compromise needle when woven or knit needles aren’t appropriate.

And then there is … the Twin Needle! which are two needles, side by side on one shaft. You’ll need to be able to place to spools of thread, know how far apart you want the needles, what size you want the needles and if you are working with a woven or knit fabric.

So, onto the thread.

First off, you should be selecting a polyester or cotton (or other variety) of thread that coincides with the fabric you are using for the project. Don’t use polyester thread on a cotton fabric, as the fabric is weaker than the thread, and vice versa.

Unlike the needles, the higher the number of the thread, the more easily it will break and the thinner it is.

Cotton Threads

60/2 – This is a size 60, 2 ply thread. It is very thin, and can be used for really light seams, pin tucking, and on very light fabric.

50/2 and 50/3 are 50, 2 ply and 50, 3 ply. This is pretty standard for most garment sewing. 2 ply will be better to use, but 3 ply may be preferable for topstitching.

40/3 and 30/3 you’d want to use with a topstitch needle and on thicker fabrics

Polyester Threads

There are three types

1. Embroidery, 40/3

  • use with 60/2 ply in the bobbin

2. All purpose

  • Can’t use this on cotton because it is too strong for the fibers
  • This will work on blended fabrics

3. Decorative

  • Ok on both polyester and cotton fibers

So now, standing in front of the thread spools I feel … overwhelmed.

I don’t feel overwhelmed standing in front of the presser feet, though. On Thursday night we got to try out a number of different feet and features on our Bernina’s. Let me state again, just how freaking much I love my Bernina Aurora 450 !!!!!

At the end of the class Santa may have purchased these two:

1. Button Sew-On Foot #18

2. Ruffler #86

This thing is amazing, and looks like a locomotive engine on my sewing machine, which for some reason, I think is the most fantastic thing ever.

Thank you Santa! I see these coming to a stocking near me.

I am making really great progress on my final project for my patternmaking class, but now I will not be able to get any more work done over the weekend as I have other obligations, which also included staying up until 12:30 last night making bakes beans from scratch on the grill. In case anyone is wondering, it is, in fact, freezing outside. However, the bean recipe is so good that it makes our entire courtyard smell of yumminess.

I also attended a preview for the draping class next semester.

It seams like fun, but a lot of work. So I need to spend some time thinking about my priorities … maybe I should just take more classes at Eddie’s Quilting Bee since I learned so much there in so little time! If you have never taken the time to learn about your machine, I suggest you take a day off from sewing to do it!

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